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Fujifilm’s Color Chrome Blue as an Alternative to Polarizing Filters

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What is Fujifilm’s Color Chrome FX Blue, and when might you want to use it? I want to offer one good use for this setting, and that’s as an alternative to using a polarizing filter.

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Fujifilm's Color Chrome FX Blue as a Polarizing Filter Alternative

About Polarizing Filters

A circular polarizing filter (CPL) is in just about every landscape and travel photographer’s basic kit.

But what does a polarizing filter do?

Rather than getting into the technical explanations, let me just compare them to polarized sunglasses. I’m sure everyone has experience with those!

When you put on polarized sunglasses, you notice that clouds in the sky become more pronounced, because the blues in the sky appear darker while the clouds remain brilliant white. It’s also easier to see through reflective surfaces, like water and glass. Colors in vegetation, like flowers, appear more vibrant.

All of these are reasons why photographers might use a polarizing filter. To get more contrast and color out of the photo. Thanks to the way a polarizing filter cuts out light traveling in a certain direction.

Disadvantages of Polarizing Filters

This post is going to focus strictly on how polarizing filters affect the sky. And that’s where most of the disadvantages are.

All polarizing filters on all lenses reduce light transmissivity and can produce color casts to some extent.

polarizing filter shutter speed
Notice how much the shutter speed needs to be slowed to get the same exposure with a polarizing filter.

There are more disadvantages when using wide-angle lenses.

The first is vignetting. Polarizing filters can extend far enough in front of a wide-angle lens that they block the light around the edges, resulting in darker corners. The solution to this is slim filters made specifically for wide-angle lenses.

This is assuming your wide-angle lens can accommodate a threaded filter. In many wide-angle lenses, the front element extends beyond the barrel, and you can’t even put a polarizing filter on it. That’s the second big disadvantage of using polarizing filters on wide-angle lenses.

The third disadvantage is the variation of brightness in the sky. The maximum amount of polarization occurs at a 90-degree angle to the sun. If the sun is in front of you to the left, the sky will be the darkest on the right of the frame but light on the left.

polarizing filter gradient
This composition, towards the sun with a wide-angle lens, has a very noticeable difference in the sky when using a polarizer.

About Fujifilm Color Chrome FX Blue

Color Chrome FX Blue is an addition to the Color Chrome Effect settings found in newer Fujifilm X and GFX cameras. It works in the same way by lowering the luminance of blue colors and only blue colors – like sky.

This setting gives you two options other than Off – Weak and Strong. Experiment with the settings for the scene you’re photographing. Its effects will vary based on where the sun is, your exposure choices (bright or dark), and the Film Simulation being used.

color chrome fx blue settings
color chrome film simulations
This setting doesn’t do much at all with Classic Neg when compared to Velvia.

Where Color Chrome FX Blue is Better than Polarizers

As mentioned previously, a polarizing filter

  • Restricts light
  • Produces a color cast
  • Can cause vignetting
  • Can create unnatural gradients across your frame

None of these are a concern when using Color Chrome FX Blue because the light entering the lens is not altered in any way. The change is applied after capture, not during capture. The exception to this might be the gradient when the sun is just out of the frame; this setting might amplify existing gradients.

Your sky blues will deepen. Your clouds will stand out. Same as what happens with a polarizing filter, without the disadvantages.

Is Color Chrome FX Blue a replacement for your CPL?

Of course, if you’re trying to reduce glare on water, glass, or vegetation, this setting will not do anything about that. It will deepen the blues in water, which may or may not be what you want.

color chrome fx blue vs polarizer
Note the dark upper-right corner of the “polarized” composition with the more even gradient in the non-polarized composition. The sky is just as dark, however, using Color Chrome FX Blue. However, the water is also darker and has more reflection.

This setting is also mostly aimed at photographers trying to get the perfect in-camera JPEGs, though it does have some utility to RAW-only photographers. It will give you a preview of what you could do in post-processing when you pull down the luminance of blues in your RAW processor, which gives you the same effect but with more control.

raw converter color mixer
You can use a RAW converter to get the same effect in RAW files – and using Color Chrome FX Blue can help you preview it.

What’s the bottom line? If you don’t have a CPL, don’t have time to throw one on, or are using a wide-angle lens to get some spectacular sky views, try using the Color Chrome FX Blue setting. You might find that it gives you better results than that CPL and without the disadvantages.

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